Dédicace

1. Tant’alto s’erge la tua chiara luce 📹

2. Nov’amor nove fiamme e nuova legge

3. Leggiadra pastorella in treccie d’oro

4. Se voi set’il mio cor, la vit’e l’alma

5. Clori gentil’e bella 📹

6. S’ogni mio ben havete 📹

7. Amorosetto fiore 📹

8. Morir non può il mio cuore

9. Sculpìo ne l’alm’amore

10. Vedesti amor giamai di sì bel sole

11. Sì chiar’e dolce fiamma 📹

12. Va liet’a mort’il core

13. Fredd’è la donna mia 📹

14. Donna bell’e gentile

15-18. A caso un giorno mi guidò la sorte 📹

19-20. Eran Teti e Giunon tranquill’e chiare 📹

21. Come esser può che ’l core

22. Se scior si ved’il laccio a cui dianz’io

23. L’aver l’aurora che sì dolce l’aura

24. Occhi dolci occhi cari occhi soavi

25. Ahi lassa! Io sent’il core 📹

Sources

Principes éditoriaux

Notes critiques

Critical notes

The summary table below brings together all the critical notes that have been published separately for each piece.
 
RISM A/I: C 1516
RISM A/I: C 1517
Other sources
1. Tant’alto s’erge la tua chiara luce   RISM  A/I: C 1517:
m. 8, Canto: nuova		  
2. Nov’amor nove fiamme e nuova legge m. 3: nova    
3. Leggiadra pastorella in treccie d’oro mm. 3–4: vidd’io
Tenore, m. 17: tec’io		 Canto, m. 3: the sharp is not repeated on the C
Canto, m. 20: the natural is not repeated on the B
Canto, m. 23: the C is a D
Canto, m. 24: the B half note is not dotted
Canto, m. 29: “nel” for “mel”
Tenore, m. 3: Allhor
Tenore, m. 4: no accidental at the cadence
Tenore, m. 17: tec’io		  
4. Se voi set’il mio cor, la vit’e l’alma mm. 6 and 12: Dhe m. 5, Tenore: the sharp is not repeated on the C
mm. 6 and 12: Dhe, except the Tenore, m. 6, which reads Deh
mm. 8 and 14, Tenore: the sharp is not repeated on the C
mm. 9 and 15, Canto: the sharp is not repeated on the C
mm. 9 and 15, Tenore: the sharp is not repeated on the F		  
5. Clori gentil’e bella   m. 4, Tenore: the sharp is not repeated on the F
mm. 20 and 27, Canto: the sharp is not repeated on the second C		  
6. S’ogni mio ben havete   m. 3, Tenore: the sharp is not repeated on the C  
7. Amorosetto fiore m. 32, Canto: the F-sharp is an A m. 3, Tenore: the sharp is not repeated on the second F
m. 24, Tenore: the sharp is not repeated on the second F
m. 32, Canto: the F-sharp is an A		 RISM B/I: 1567-16:
Attributed to “Madalena Casula”
All voices: ￠ instead of C
m. 3, Tenore: the sharp is not repeated on the second F
m. 24: the first F is not sharped
m. 32: the first C is not sharped
8. Morir non può il mio cuore m. 3, Canto, Tenore: core
mm. 8–10, Canto: fuori
mm. 16–24, Canto, Tenore: moreste, except at the first occurrence, which reads morreste in the Canto		 Canto: the B-flat in the signature is placed on the third line
mm. 7–10, Canto, Tenore: fuori
mm. 20 and 25, Tenore: the second F is not sharped		 RISMvB/I: 1566-2
All voices: C instead of ￠
m. 3, all voices: core
m. 4, all voices: e ucciderlo
mm. 7–10, all voices: fuori
m. 14, Canto: desioso instead of desio
m. 14, Canto: The word “So” is omitted on the first C4, the syllable is moved to the end of the preceding word
m. 17, Tenore: the sharp is placed after the B
mm. 19 and 24, Tenore: the sharp is placed after the B
m. 20, Tenore: the sharp is placed after the second F
mm. 16–20 and 22–24, all voices: moreste, except at the first occurrence of the Canto, which reads morreste
mm. 21–22, Canto, Alto, Tenore: moresti
m. 23, Canto: the sharp is placed after the B
m. 24, Tenore: the first F is not sharped
I-CMs, MS.E.1 follows the Canto reading of RISM B/I: 1566-2 with the exception of:
mm. 3–4: cuore
mm. 16–20: spelling standardized for moreste
m. 14: the "So" misplaced is corrected
mm. 23–24: the accidentals are correctly positioned
m. 23: the second C is sharped
9. Sculpìo ne l’alm’amore m. 3, Canto: s’ardente mm. 2–3, Canto, Tenore: imagin
m. 3, Canto, Tenore: s’ardente
m. 9, Canto: the second F is not sharped		 RISM B/I: 1566-2:
All voices: C instead of ￠
mm. 3–4, Canto, Tenore and Basso: s’ardente
mm. 5–6, all voices: abrugia
m. 8, Tenore: the natural is placed after the B and not before
m. 9, Canto: the first F is not sharped
mm. 12–13 and 18, all voices: “di morte” instead of “a morte”
m. 13, Basso: the C on the first beat is a B
m. 14, Alto: text-repetition sign (“ii”) incorrect
I-CMs, MS.E.1 follows the Canto reading of RISM B/I: 1566-2
10. Vedesti amor giamai di sì bel sole m. 11, Canto, Tenore: E ’n quell’
m. 11, Tenore: the first F is a G
mm. 13–15, Canto, Tenore: radoppiar
mm. 19–20, Canto, Tenore: “di” instead of “d’i”		 m. 11, Canto, Tenore: E ’n quell’
m. 11, Tenore: the first F is a G
mm. 13–15, Canto, Tenore: radoppiar
mm. 19–20, Canto, Tenore: “di” instead of “d’i”		 RISM B/I: 1566-2:
m. 6, Alto: the sharp is placed after the F, and not before
m. 11, all voices: quell’
m. 19, Canto: the first C is not sharped
I-CMs, MS.E.1 follows the Canto reading of RISM B/I: 1566-2, with the exception of:
m. 12: Arde instead of Arder
11. Sì chiar’e dolce fiamma mm. 9–10: drama
mm. 16–19: sogget’		 mm. 6–7: Chiara in lowercase
mm. 10–11, Canto: the natural is not repeated on the B
m. 23, Canto: the last G is a minim, not a semiminim		  
12. Va liet’a mort’il core mm. 4–5, Canto: sottrasi    
13. Fredd’è la donna mia m. 1: Fred’è
giaccio for ghiaccio at all occurrences of the word		 m. 12: si stia  
14. Donna bell’e gentile   m. 12: Credel
m. 24, Tenore: the second semiquaver is a B instead of an E		  
15–18. A caso un giorno mi guidò la sorte Prima parte:
m. 19: piagh’era
Seconda parte:
m. 28: cespugli’
Terza parte:
mm. 51–52: dopò
Quarta parte:
m. 72: sugando
mm. 73–74: begl’occh’il		 Prima parte:
m. 14, Canto: giovine
m. 19: piagh’era
Seconda parte:
m. 28: cespugli’
mm. 36 and 40–41, Canto: the sharp is not repeated on the C
m. 41, Tenore: the sharp is not repeated on the F
Terza parte:
mm. 51–52, Canto: dopò
mm. 62–63, Canto: the sharp is not repeated on the F
m. 64, Tenore: the sharp is not repeated on the F
Quarta parte:
mm. 73–74: begl’iocchi ’l
m. 91, Tenore: the sharp is not repeated on the G		  
19–20. Eran Teti e Giunon tranquill’e chiare Seconda parte:
m. 1: Tet’e		 Prima parte:
m. 1: Tet’e
m. 21: nube
mm. 24–25: Febo		  
21. Come esser può che ’l core Canto, m. 4: the F is an A Tenore, m. 4: the sharp is not repeated on the F  
22. Se scior si ved’il laccio a cui dianz’io m. 3, Tenore: the F is an E
Canto: ￠ instead of C
mm. 11 and 16–17, Tenore: disgrati’
mm. 12 and 20, Canto, Tenore: “a” instead of “ha”		 Canto: ￠ instead of C
m. 3, Canto, Tenore: dinaz’io
mm. 11 and 16–17, Tenore: disgrati’
m. 3, Tenore: the F is an E
mm. 16 and 21: the second C is not sharped		 RISM B/I: 1566-2:
m. 3, Canto: diant’io
m. 11, Tenore: the sharp is placed after the C and not before
mm. 11 and 16–17, Canto, Tenore: ringrati’
mm. 11 and 16–17: A, B: disgrati’
m. 15, Basso: the D4 is a C4
mm. 16 and 21: the first C is not sharped
23. L’aver l’aurora che sì dolce l’aura   m. 6, Tenore: the sharp is not repeated on the C  
24. Occhi dolci occhi cari occhi soavi mm. 2–4: dolc’occhi car’occhi mm. 2–4: dolc’occhi car’occhi
m. 14, Tenore: the sharp is not repeated on the second G		  
25. Ahi lassa! Io sent’il core m. 22, Canto: languiscie; Tenore: languisci’ mm. 15–16, Canto: the sharp is not repeated